Wrapping Up the Winkie Convention, part 3

Here’s the final schedule for the final day of the 2014 Winkie Convention in San Diego—Sunday, 10 August.

Sunday, 8:30 am
Ozzy Tai Chi led by grandmaster Parker Linekin
Brunch at the Hotel Del Coronado, where L. Frank Baum wrote several books

Sunday, 10:00 am
“The Making of ‘The Wizard of Oz’” Documentary with movie historian Aljean Harmetz (reprise)
Baum’s Boys with authors Paul Dana, Jared Davis, J. L. Bell, and Michael Gessell

Sunday, 11:00 am
75 Years of the MGM Wizard of Oz with movie experts Aljean Harmetz, Priscilla Montgomery, Robert A. Welch, Steve Cox, and Anthony Tringali
A New Oz Series: A Look Back with The Emerald Wand of Oz and Trouble Under Oz author Sherwood Smith and illustrator William Stout, interviewed by J. L. Bell—the first time Smith and Stout had met
Walking Tour of Coronado with the Coronado Historical Association (reprise)

Sunday, 12:30 pm
The Adventures of Queen Ann in Oz with authors Eric Gjovaag and Karyl Carlson and illustrators Bill Campbell and Irwin Terry—the first time this creative team had met, on the occasion of their book’s republication

Sunday, 1:30 pm
The Tik-Tok Man of Oz Audience Talk-Back with producer Eric Shanower, lighting designer Christopher Boltz, set and costume co-designer David Maxine, and performers Eduard Cao, Taylor Hamilton, Taylor Schwartz, and Laura Bueno

Sunday, 2:30 pm
Upcoming Oz Events and Closing Ceremonies with convention organizers David Maxine, Freddy Fogarty, Eric Gjovaag, and Karyl Carlson

That programming could not have happened without the audiovisual equipment loaned by SanSFiS (more on that group later), the tireless work of SanSFiS volunteer Barney Evans, and the half-dozen presenters who made their laptops available for other sessions.

Wrapping Up the Winkie Convention, part 1

I’ve rarely updated this blog over the past several weeks, though not because I didn’t find topics I wanted to write about. Rather, I didn’t have the time to gather and express my thoughts because I was helping to organize the daytime programming at this year’s Winkie Convention in San Diego. “Winkie” as in the western part of the land of Oz—this convention was originally organized for Oz fans in the western USA.

The 2014 Winkie Convention was the 50th annual, as well as falling during the 75th anniversary of MGM’s Wizard of Oz. Retiring chairman David Maxine was determined to make it one of the busiest Oz events ever. He also wanted to serve the local children’s-writing community with some publishing workshops and panels. And that’s how I first got drawn in from afar.

As the San Diego Union-Tribune reported, the convention took place this past weekend. And it feels like a rousing success: nearly 400 people attending, a delightfully sung performance of The Tik-Tok Man of Oz presented in the city for the first time in a century, and the first-ever meetings of the authors and illustrators of three Oz books. Most people were pleased, and some pleasantly surprised, by how lively the panel discussions were.

We were adjusting the convention schedule up to the last minutes, so for the historical record I decided to compile what actually happened and who was involved, starting with the convention events for Friday, 8 August.

Friday, 7:30 am
Trot & Cap’n Bill’s La Jolla Kayak Tour at La Jolla Kayak

Friday, 10:00 am
So This Is Your First Winkie Convention with volunteers Eric Shanower, J. L. Bell, and Lee Speth
What to See in Coronado with local arts officials Heidi Wilson and Kelly Purvis

Friday, 11:00 am
Golden Age of Hollywood Costumes with researchers and collectors Christian Esquevin, Michael Siewert, and Aljean Harmetz
Creating Oz Comics with creators and publishers Anna Warren Cebrian, Mark Anthony Masterson, and Eric Shanower
Walking Tour of Coronado with the Coronado Historical Association
Oz Research Table, Art Show, and Swap Table Opens

Friday, 12:00 noon
Oz Show-and-Tell moderated by collector Freddy Fogarty
A Career in Fantasy Illustration with artist William Stout
Display of Judy Garland’s Movie Costumes with Michael Siewert
Dealers’ Room Opens

Friday, 1:00 pm
A. Arnold Gillespie: The Wizard of Special Effects with biographer Robert A. Welch
Fashioning Nonfiction that Fascinates Kids with authors Kathleen Krull, Paul Brewer, Edward Einhorn, and Angelica Carpenter
The Wizard’s Workshop: Arts and Crafts Activities led by Margaret Koontz

Friday, 2:00 pm
Fifty Years of the Winkie Con with longtime attendees Peter Hanff, Edith Hollister, Nathan Hollister, Lee Speth, and Susan Hall
“The Making of ‘The Wizard of Oz’” Documentary with movie historian Aljean Harmetz—shown publicly for the first time since the early 1980s
Conversation with Author Sherwood Smith with interviewer J. L. Bell

Friday, 3:00 pm
Emerald City, Suffragette City with writers Caroline Spector, Angelica Carpenter, Rachael Anderson, Miriam Esther Goldman, and Gita Morena
Meet the Wicked Witch! with performer Kurt Raymond

Friday, 4:00 pm
Speedy’s Adventures in Masculinity with blogger J. L. Bell
Conversation with Author Edward Einhorn with interviewer Michael Cart

Friday, 5:00 pm
Professor Marvel’s Hot Dog & Burger Cook-out with dancing by Moreton Bay Fig Morris

Friday, 7:30 pm
Welcome from convention chairman David Maxine
Video Welcome from MGM Munchkin Jerry Maren
Conversation with the Wicked Witch of the West with performer Kurt Raymond and interviewer Batton Lash
The Making of The Making of “The Wizard of Oz” with movie historian Aljean Harmetz
L. Frank Baum and the San Diego Connections with scholar Atticus Gannaway

And then came the big day.

He Could Not Play with the Other Boys of Pingaree

Sherwood Smith was commissioned to write Trouble Under Oz as the second in a series of four latter-day Oz adventures assembled by packager Byron Preiss and published by HarperCollins. The next two titles may never appear, a frustrating situation I described back in February.

Smith’s first title, The Emerald Wand of Oz, revisited scenes and characters from The Wonderful Wizard of Oz. This one draws its main inspiration from a couple of later L. Frank Baum novels: Dorothy and the Wizard in Oz (1908) and Rinkitink in Oz (1916, but based on a lost manuscript written about 1905).

More specifically, Trouble brings back Prince Inga, the hero of Rinkitink, to help the young American heroine on her quest. I think Smith does a fine job with his character, which could be difficult. Not that Inga’s difficult. No, he’s a sterling prince, dedicated to truth, justice, and the Pingaree way.

Here’s how Baum himself described Inga:

Inga was often left to amuse himself, for a boy could not be allowed to take part in the conversation of two great monarchs. He devoted himself to his studies, therefore, and day after day he climbed into the branches of his favorite tree and sat for hours in his “tree-top rest,” reading his father’s precious manuscripts and thinking upon what he read.

You must not think that Inga was a molly-coddle or a prig, because he was so solemn and studious. Being a King’s son and heir to a throne, he could not play with the other boys of Pingaree, and he lived so much in the society of the King and Queen, and was so surrounded by the pomp and dignity of a court, that he missed all the jolly times that boys usually have. I have no doubt that had he been able to live as other boys do, he would have been much like other boys; as it was, he was subdued by his surroundings, and more grave and thoughtful than one of his years should be.

A quick note to the fictional characters out there: If your author has to assure readers that you’re not a prig, you’re a prig.

But Baum ascribes Inga’s seriousness to his upbringing. (Baum was always a “nurture over nature” man.) Indeed, Inga seems unique among Baum’s fantasy heroes in being heir to a throne. Other young people become rulers unexpectedly: Tip in Marvelous Land of Oz, Bud in Queen Zixi of Ix, Trot in Sky Island. And there are princes who have been deposed (Pon in The Scarecrow of Oz) or who, through a quirk of immortality, will never succeed their parents (princes in The Magical Monarch of Mo). But Inga is the only Baum protagonist who’s preparing himself for major government responsibilities, and that’s shaped his character.

Smith picks up on that side of Inga’s personality without turning him into a caricature. Some readers have developed little crushes on Inga because he’s such a paragon of brave princeliness, but Smith’s American heroine realizes that, conscientious and cheerful as he is, his idea of wild fun is rather stuffy. He makes a good foil for this series’s bad boy, an ambitious young Nome named Rik. But, alas, we may never learn whom our heroine would choose.