Showing posts with label AUTHOR Michael Rex. Show all posts
Showing posts with label AUTHOR Michael Rex. Show all posts

16 February 2012

3G, IEPs, ADHD, and Fangbone


When young prehistoric warrior Fangbone reaches “our world” in Michael Rex’s Fangbone: Third-Grade Barbarian, he tries to blend in with other children by entering a school. This might seem difficult since he’s shirtless, carrying a sword, and from a preliterate culture.

But Fangbone happens to tag along with Bill from room 3G. Bill’s teacher, Ms. Gillian, is unfazed by this new student. When she learns Fangbone can’t read, she just whispers (the lettering gets small), “You’re in the right class. Welcome to 3G. Everyone here learns at their own speed.” Of course, she hasn’t received an IEP or any of the other paperwork real schools require.

We might chalk this up to plot convenience, but the story actually foregrounds issues of disabilities. Bill takes medicine so, he tells Fangbone, “I don’t go all hyper, like BlAaAaAh!” The other kids in the class are eccentric or beyond. Two-thirds of the way through the book, Bill admits to Fangbone that room 3G “is the LOSER CLASS! . . . We’re just a bunch of messed-up LOSERS!!!”

Fangbone responds by dropping his prejudice against meaningless games and helping his friend’s class win the dodgeball tournament. In fact, he does nearly all the throwing himself. All of 3G gets “I’m a winner!” decals. But it’s worth considering what Fangbone would have done if the first student he’d met had been Duncan, the verbal bully. Would his warrior ethos have fit just fine in another classroom?

The theme continues into the book’s climactic fight. Fangbone tells Bill to relax and focus. Bill answers that he can’t because “I didn’t take my medicine!” Yet the story presents hyperactivity as a strength, not a liability. As a monster charges, Bill shouts, “I like it when things move fast!” He, Fangbone, and 3G take down their foe.

In that respect, Fangbone: Third-Grade Barbarian falls squarely into the recent trend to portray official disabilities as special powers, as Sayantani DasGupta discussed at From the Mixed-Up Files…

(Comments based on autographed advance copy from Renin Publishing Services.)

15 February 2012

Fangbone Through the Portal of Time

Fangbone: Third-Grade Barbarian is a new book-length comic for middle-grade readers by Michael Rex. It’s a story about believing in yourself, accepting differences, being loyal to friends, and cooperating to fight off bad guys. In sum, the same themes as in many other modern stories for children. Not that there’s anything wrong with that.

The premise is that Fangbone, a boy growing up in the sword-and-sorcery genre, must undertake a magical quest that brings him to North America today. Not unlike Beastmaster 2: Through the Portal of Time, in fact. Fangbone has to deal with modern plumbing, spicy chicken wings, and the overall rise in living standards.

I wonder whether the book’s target readers are familiar with the sword-and-sorcery genre. The heyday of Conan the Barbarian in pop culture seems as far back as the heyday of Conan in magical prehistory. So perhaps kids who really like this comic should also be treated to a family viewing of the sublimity that is the original Beastmaster.

I had bigger questions about Fangbone’s warrior tribe. It doesn’t appear to contain any women. It doesn’t appear to contain any other children. The adult male warriors don’t seem to recognize that Fangbone, whom they call a “runt,” is growing bigger day by day, and that in a few years they might depend on him.

Young Fangbone may be premature in claiming the status of a warrior, I thought, but simply by running with them he seems to be extraordinary in his world as well as in ours. The grown men’s contempt feels driven by a storytelling need to make Fangbone seem a little more put-upon and thus sympathetic.

Graphically, Fangbone is a two-color, “digest-sized” comic. Rex draws in a four-fingered cartoon style with a generally unvarying line. The art is deceptively simple, which might inspire readers to try their own comics stories. One interesting graphic element they can look for is how Rex’s panels break out of the orthogonal grid at moments of conflict and, especially, action.

TOMORROW: Fangbone and Room 3G.

(Comments based on autographed advance copy from Renin Publishing Services.)