Showing posts with label ARTIST Jonathan Hill. Show all posts
Showing posts with label ARTIST Jonathan Hill. Show all posts

03 December 2011

Coming to Americus

I first sampled this story as the webcomic Save Apathea. In print form, the graphic novel by scripter M. K. Reed and artist Jonathan Hill is titled Americus. And what valuable lessons about life does it hold for its readers?

The one that came through most clearly for me was:
People with dark hair are good.
Any Americus character who appears for more than one scene and has inked-in hair is smarter, funnier, more tolerant, and more interesting than the average person. People with lighter hair, left uncolored in this black-and-white book, can be nice or nasty, but all the major nasty people have lighter hair. Only three minor characters with dark hair break this rule, two just by being boring.

Unfortunately, that simple dichotomy reflects the overall story, which follows a protest against a fantasy novel in the library of a small American town. The woman challenging the book is not only self-righteous, but also bigoted, duplicitous, tyrannical, violent, and—just to cap the stereotype—overweight. 

The further away the story gets from that central conflict, the more true-to-life it seems. The main character’s social struggles as a high-school freshman, the horizons that literature and music can open up, the potential depths in some supporting characters—those details seem real and intriguing. In that respect, the title Americus plays to the book’s strengths: the portrait of a community is stronger than the battle to save the Apathea books in the fictional town library.

02 December 2011

Useful Term: “Plumber’s Review”

In my family we have the term “plumber’s review,” which is so useful that I’m surprised not to see it anywhere else. Perhaps we’ve got the wording wrong.

A “plumber’s review” is an assessment of a novel, or other work of art, based on one narrow concern. Say, a review of Robert Louis Stevenson’s Treasure Island focused entirely on details of south Pacific navigation, or an analysis of D. H. Lawrence’s Lady Chatterley’s Lover for its remarks on coal mining. In the academic world, it’s the comments from the professor miffed that you haven’t said more about the particular event or compound or poetic form that he or she happens to study.

An expert plumber’s perspective can be valuable, particularly on books about plumbing. Even a review of Edward Gibbon’s Decline and Fall of the Roman Empire focused entirely on water-systems engineering might offer useful insights.

In fact, it would have been valuable to have a whaler’s review of Moby Dick back in 1851. Instead, we had to wait nearly a century until Howard P. Vincent’s The Trying-Out of Moby Dick studied where Herman Melville got his technical information and what detail in the novel has no support in any other source of the time (the blacksmith’s apron).

The best type of “plumber’s review” acknowledges its narrow focus and the fact that there are other, wider perspectives. It offers inside information that general readers wouldn’t know but can incorporate with other responses. The worst “plumber’s review” misses that point, as well as other big points—which can make them very entertaining.

This fall at MICE I got to hear a preview of the “plumber’s review” echoing through this SLJ roundtable discussion of M. K. Reed and Jonathan Hill’s Americus. One of the important supporting characters in that graphic novel, Charlotte, is a youth-services librarian. And librarians, folks of that profession wish to make clear, don’t behave like her!

Despite public assumptions, Charlotte wouldn’t be reading in the middle of the day—she wouldn’t have time! She wouldn’t keep a patron waiting until she’d finished her reading. Most important, she wouldn’t snap back at a person lodging a complaint about a book, or tell a teenager that the complainer was a “control freak.” As Eva Volin stated in the SLJ discussion, “I would have been in big, big trouble had I handled the first contact the way Charlotte did.”

And since that conflict over a library book defines Americus’s plot, it seems like a problem for the novel. Indeed, it might subvert the book’s appeal to a key constituency.

TOMORROW: More lessons from Americus.