“References of actual Robin fight scenes”

Matt Santori-Griffith’s interview with Grayson artist Mikel Janin at Comicosity in January was mostly the upbeat puffery we should expect from comics creators while they’re still marketing their current magazines. Nevertheless, it contains some insights about how that magazine has been put together.

Janin was expecting to take over Nightwing, costume and all, before plans and editors changed:

Former editor Mike Marts asked me to join Nightwing and, after more than two years in Justice League Dark, I was thrilled to be part of such an important and loved character.

But when things started to roll, I realized this was a totally new direction for Dick Grayson. There were a lot of changes, with editor Mark Doyle taking the project, and everything went full speed very quickly!

I sense the plan to launch Grayson came from the top of DC, so the change in editors was probably coincidental rather than causal.

Another sign of the writers’ fondness for the long history of the Dick Grayson character shows up in the fight scenes:

Tim Seeley gave me some references of actual Robin fight scenes in the Golden Age, and I tried to bring the energy and the happiness of this young boy we all know and love to Dick’s moves, less elaborated than Nightwing’s graceful moves, just direct action to the face. It was really fun to do!

And the different strengths of the two Grayson writers, Tim Seeley and Tom King:

Tim brings some crazy ideas and sense of wonder, going to places you only can go in comic-books. He has an incredible ability to bring rhythm and fun to the book. Tom digs deep to character’s heart, and has a sense of pace that makes you feel like you’re into a movie.

A Touch of Blue

When DC launched its “New 52” continuity, it redesigned almost all its heroes’ costumes. Nightwing’s new outfit replaced the light blue stripe across the chest and upper back with a bright red stripe and, though it didn’t seem possible, made the tight black body suit even more shiny.

But the biggest change, so far as fans were concerned, was the removal of the light blue stripes down the costume’s arms all the way out the two middle fingers. Nightwing’s new gloves—excuse me, gauntlets—had fins to match his mentors’, and I guess keeping the “fingerstripes” as well would have seemed too frilly.

As new artists arrived on the Nightwing magazine, however, red stripes edged down his sleeves again until they reached the fingers. The process was gradual, as if the editorial office didn’t want the bosses or the fans to notice that they’d realized they’d left behind something good.

And then Dick Grayson gave up the Nightwing costume, at least for a while, for work as a secret agent. A very handsome, acrobatic secret agent. This panel from Grayson, #1, shows some touches designed to please the character’s old fans.

I’m not just talking about Mikel Janin’s multiple images of Dick flipping, which were common in Nightwing both before and after the “New 52” break. I’m talking about those dark gray gloves Dick is wearing, with sky blue bands across each palm.

That detail can only be a nod back to Nightwing’s blue fingerstripes. Sure, the stripe runs along an orthogonal axis, but why else color them that shade of blue? It’s like Dick’s designation as Agent 37 (#37 being the last issue of Detective Comics before Dick Grayson became a sensation of 1940) and the clasp on his shoulder belt (looking like a G, more or less where his R symbol used to be). It’s a sign of “continuity fans” creating this book and struggling to backfill meaning into a universe where most of the past has been erased.