Showing posts with label ARTIST David Lee Ingersoll. Show all posts
Showing posts with label ARTIST David Lee Ingersoll. Show all posts

03 February 2026

Two More Tales of Oz

The 2025 edition of Oziana, the International Wizard of Oz Club’s creative magazine, is now available for purchase through Lulu.

This issue contains two stories by me.

“The Piglets and the Tin Soldier” is another short slice-of-life tale inspired by L. Frank Baum’s Little Wizard Stories of Oz, taking a couple of his established characters and bouncing them off each other.

The Nine Tiny Piglets first appeared from the Wizard’s pockets in Dorothy and the Wizard of Oz and made small cameos in the Emerald City after that, never getting individual names. 

Captain Fyter, the Tin Soldier, marched onto the scene in The Tin Woodman of Oz. At one point in that book the heroes meet the piglets’ parents. Afterward the soldier says, “I hope I’m not too particular about my associates, but I draw the line at pigs.” So there was a natural tension to work with.

David Valentin created digital artwork of the Tin Soldier and his basket of piglets for this story of a journey through the Munchkin Country.

“The Missing Key” is a mystery featuring Snip, the button boy who was a protagonist of Ruth Plumly Thompson’s The Lost King of Oz. She introduced Snip sneaking into Mombi’s kitchen and then spying on her, establishing him as a curious kid. Several years ago, I used that trait to bring Snip into a story called “Invisible Fence.” More recently I realized that would make him a good investigator for a mystery.

In this story, Snip sets out to retrieve the wind-up key that’s vanished from Tik-Tok’s back. David Lee Ingersoll supplied the illustrations, including one of Snip pinned to the ground by string-wielding field mice, inspired by scenes in The Wonderful Wizard of Oz and Gulliver’s Travels.

25 February 2020

Art for “The Axman’s Arm”

At Skookworks, David Lee Ingersoll has just shared his illustrations from the 2006 issue of Oziana magazine, which I edited and produced for the International Wizard of Oz Club.

David created the art for a story I wrote called “The Axman’s Arm,” a horror tale exploring what happened to the Tin Woodman’s left arm after it was chopped off in The Wonderful Wizard of Oz. That arm wasn’t around for the assembly of the character of Chopfyt, introduced in The Tin Woodman of Oz—so where did it go?

I rarely tell horror stories, but the Oz books’ premise that people and animals can survive being sliced up leads inevitably to that mode.

For that issue of Oziana, David also illustrated Adrian Korpel’s poem “Rivals” with pictures of the Scarecrow, Tin Woodman, and Cowardly Lion looking bitter and angry—and yet completely recognizable. I’d seen some of the pictures David drew for the Oz Squad project, so I knew he could do a great job with that challenge. I don’t view those poems as “canonical,” but they offered an interesting alternative view of favorite characters.

20 April 2011

Two Issues of Oziana Back to Back!

Oziana 2009 (described yesterday) and Oziana 2010 comprise a double issue, bound back to back, each with a full complement of new and original Oz fiction and art. (For folks who enjoy back covers, however, you’re out of luck.)

The theme for Oziana 2010 is “The Challenges of Governing Oz,” and it starts with Tim Art-McLaughlin’s spectacular color image of “The Queen and Her Court.” Tim is an Oz fan and professional artist from Shropshire, England; email him if you’re interested in Ozzy commissions.

Tim also provided the art for “Celebrating Ozma: The Silver Jubilee Issue,” in which the father-daughter team of Andrew and Rachel Heller introduce us to Oz’s postage stamps and postal service. They are, of course, magical.

“Fiddle’s Revenge,” by Arianna Brown, won a student writing award at last year’s International Wizard of Oz Club conference at the Arne Nixon Center in Fresno. This adventure, set back when the Scarecrow ruled the Emerald City, brings back the Cowardly Lion, the Tin Woodman, and the Winged Monkeys—as well as the danger of a giant spider. Author-illustrator Dennis Anfuso provided the suitably scary art.

In “Invisible Fence,” the Emerald City’s war against unauthorized magic takes the Wizard, the Tin Soldier, Snif the Iffin, and Dorothy to a dark Gillikin forest, where they find a most innocent-looking outlaw. This mystery story from me comes with nine charming illustrations by David Lee Ingersoll.

Copies of Oziana 2009/2010 are on their way to subscribers, and can be ordered from the Oz Club. The double issue offers two full-color covers, seven new stories, and original art at every turn.

05 May 2007

Legion of Frankensteins—but no Peter Boyle

David Lee Ingersoll offers a step-by-step look at how he created his Legion of Frankensteins drawing. Blogs working as they do, you can start at the top and work backward in time, or focus your eyes somewhere else, scroll down to the bottom, and catch his thoughts on Mary Shelley's novel before moving upwards to the art.