The Wizard of Balboa Park
The San Diego Civic Light Opera Association was founded in 1945. Its first show was Gilbert and Sullivan’s The Mikado in the Wegeforth Bowl at the San Diego Zoo.
Because of San Diego’s ideal weather, the organization staged its shows outside. It soon took on the name of the Starlight Opera.
On July 29, 1946, the San Diego Union and Daily Bee said: “If the new Starlight Opera company becomes any more popular it will have to move to Ford Bowl.” That was the amphitheater in Balboa Park built for a 1935 expo.
Indeed, the Starlight Opera Company was soon using that larger space. Around 1950 the amphitheater became known as the Starlight Bowl. (An amphitheater in Burbank was using the same name at that time, confusing matters.)
The Light Opera Association also widened its repertoire to include new, popular shows and operated under the same of Starlight Musical Theatre.
Because the amphitheater was right under the main flight path to Lindbergh Field, performers learned to freeze when a loud plane passed overhead. Starlight Musical Theatre’s old website called this “One of the most artistic innovations of productions at the Starlight Bowl.”
In 1962 the Starlight company planned a summer season of The Music Man, Can-Can, The Wizard of Oz, and Bye Bye Birdie.
About the third show the 7 Apr 1962 San Diego Evening Tribune explained:
The 1962 San Diego Evening Tribune article was headlined “Little Munchkins Needed for Starlight ‘Wizard of Oz’,” and its main news was:
TOMORROW: Crossing the streams.
Because of San Diego’s ideal weather, the organization staged its shows outside. It soon took on the name of the Starlight Opera.
On July 29, 1946, the San Diego Union and Daily Bee said: “If the new Starlight Opera company becomes any more popular it will have to move to Ford Bowl.” That was the amphitheater in Balboa Park built for a 1935 expo.
Indeed, the Starlight Opera Company was soon using that larger space. Around 1950 the amphitheater became known as the Starlight Bowl. (An amphitheater in Burbank was using the same name at that time, confusing matters.)
The Light Opera Association also widened its repertoire to include new, popular shows and operated under the same of Starlight Musical Theatre.
Because the amphitheater was right under the main flight path to Lindbergh Field, performers learned to freeze when a loud plane passed overhead. Starlight Musical Theatre’s old website called this “One of the most artistic innovations of productions at the Starlight Bowl.”
In 1962 the Starlight company planned a summer season of The Music Man, Can-Can, The Wizard of Oz, and Bye Bye Birdie.
About the third show the 7 Apr 1962 San Diego Evening Tribune explained:
“The Wizard of Oz,” was adapted originally for the stage by L. Frank Baum from his classic children’s story. It was first presented in 1903, starring the team of Fred Stone and David Montgomery. Their leading lady was Anna Laughlin, the mother of singer Lucy Monroe.That adaptation had originally been commissioned by the St. Louis Municipal Opera in 1942 and is therefore known as “the MUNY Version.” As the licensor says, it “features characters and events not seen in the MGM film”—and it also leaves out several characters and events.
The version of “Wizard” which Starlight is using has been updated by Frank Gabrielson, and features the songs of Harold Arlen and E. Y. Harburg, composed for the highly successful 1939 movie.
The 1962 San Diego Evening Tribune article was headlined “Little Munchkins Needed for Starlight ‘Wizard of Oz’,” and its main news was:
Casting for Starlight’s production of “The Wizard of Oz” will be held for three days, instead of the usual two, due to the large number of children needed in the cast. . . .In 2010, after more than sixty straight years of productions, the San Diego Civic Light Opera Association went out of business. There’s now a Save Starlight campaign to fix up the abandoned amphitheater and stage new concerts and shows there.
The youngsters will be used for the Wizard of Oz’s “army,” composed of one private and 24 generals. They will also be used as munchkins—the little people enslaved by the Wicked Witch of the East and freed by Dorothy. . . .
Roles open for adults include that of the Scarecrow—which also requires dancing ability; the Tin Woodman and the Cowardly Lion. The leading role of Dorothy, calls for a teenage soprano with acting experience, age 18 at the maximum.
TOMORROW: Crossing the streams.

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