Ray Bradbury’s Rocket
I am not taken with the Ray Bradbury sculpture erected in his native town of Waukegan, Illinois, and unveiled this summer.
Zachary Oxman sculpted the figure of a young Bradbury riding the outline of a rocket, steampunk gears inside. The steel figure waves a copy of Fahrenheit 451.
The design is deliberately “retro” to fit with the mid-20th-century library building nearby, where Bradbury bequeathed his book collection. But the result strikes me as cheesy, diminishing the themes he wrote about instead of celebrating them. “I send my rockets forth between my ears,” Bradbury wrote in a poem, and this turns that metaphor into something solid and heavy again.
I also wouldn’t recognize Bradbury from this statue. I picture him from photos and TV appearances in my youth as a somewhat rounded bespectacled middle-aged man, a chatty dean of American science fiction.
It would make sense for a Bradbury statue in Waukegan to depict him as he looked when he was living in Waukegan. That would be a little kid since the family moved to Arizona when he was six. A young boy dreaming of the future could be iconic but not recognizable. Here’s Bradbury at age three, from the Knopf collection of the Harry Ransom Center. Here he is again, said to be in 1923 but probably a couple of years later.
By age 14, Bradbury was a working writer in LA with hints of how he’d appear as an adult. But I haven’t found any photo of Bradbury looking like the young man in that sculpture. He didn’t wear his glasses for photos in the 1940s, and he had a crew cut through the 1950s. The statue’s combination of spectacles, floppy hair, and svelteness seems like a composite. (Or perhaps Oxman worked from family photos I haven’t seen.)
Lastly, I have to admit, when I see someone clinging to a rocket like that, I can’t help but think of Bucky Barnes about to be blown up by Baron Zemo.
Zachary Oxman sculpted the figure of a young Bradbury riding the outline of a rocket, steampunk gears inside. The steel figure waves a copy of Fahrenheit 451.
The design is deliberately “retro” to fit with the mid-20th-century library building nearby, where Bradbury bequeathed his book collection. But the result strikes me as cheesy, diminishing the themes he wrote about instead of celebrating them. “I send my rockets forth between my ears,” Bradbury wrote in a poem, and this turns that metaphor into something solid and heavy again.
I also wouldn’t recognize Bradbury from this statue. I picture him from photos and TV appearances in my youth as a somewhat rounded bespectacled middle-aged man, a chatty dean of American science fiction.
It would make sense for a Bradbury statue in Waukegan to depict him as he looked when he was living in Waukegan. That would be a little kid since the family moved to Arizona when he was six. A young boy dreaming of the future could be iconic but not recognizable. Here’s Bradbury at age three, from the Knopf collection of the Harry Ransom Center. Here he is again, said to be in 1923 but probably a couple of years later.
By age 14, Bradbury was a working writer in LA with hints of how he’d appear as an adult. But I haven’t found any photo of Bradbury looking like the young man in that sculpture. He didn’t wear his glasses for photos in the 1940s, and he had a crew cut through the 1950s. The statue’s combination of spectacles, floppy hair, and svelteness seems like a composite. (Or perhaps Oxman worked from family photos I haven’t seen.)
Lastly, I have to admit, when I see someone clinging to a rocket like that, I can’t help but think of Bucky Barnes about to be blown up by Baron Zemo.
1 comment:
Or Slim Pickens waving his cowboy hat as he plummets to earth on an atom bomb.
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