The Return of “The Fuzzy Ghost”
This week I received my contributor’s copy of The Big Book of Things That Go Bump in the Night: A Collection of Utah Horror.
This anthology of “27 stories, poems, and flash fiction pieces, all geared toward kids” is published by Timber Ghost Press and available here.
My story, “The Fuzzy Ghost,” is much older than its target audience. It’s a tale about a family coming to terms with the death of a relative, and I wrote the first version in the 1990s after the death of my own older brother, Al.
At one point I had interest in the story from a kids’ magazine company, but the editor of the magazine I’d submitted to thought it would work better for the next-younger audience. I wrote another version, half the length to fit the second magazine’s specs. But for a story that depends on mood, that took away too much, and the revision didn’t sell.
Back then, kids’ magazines were practically the only market for such short fiction, and they had very strict limits on word counts. Technology has made internet magazines, micro-press anthologies, and even story vending machines viable, and that in turn has opened up the specs for stories.
Last year, as I continued to process the death of my mother, I spotted Timber Ghost Press’s call for submissions. I dug the latest draft of “The Fuzzy Ghost” out of my hard drive, updated it with specific period details, and sent it in. And now it’s come back to me inside a paperback book.
This anthology of “27 stories, poems, and flash fiction pieces, all geared toward kids” is published by Timber Ghost Press and available here.
My story, “The Fuzzy Ghost,” is much older than its target audience. It’s a tale about a family coming to terms with the death of a relative, and I wrote the first version in the 1990s after the death of my own older brother, Al.
At one point I had interest in the story from a kids’ magazine company, but the editor of the magazine I’d submitted to thought it would work better for the next-younger audience. I wrote another version, half the length to fit the second magazine’s specs. But for a story that depends on mood, that took away too much, and the revision didn’t sell.
Back then, kids’ magazines were practically the only market for such short fiction, and they had very strict limits on word counts. Technology has made internet magazines, micro-press anthologies, and even story vending machines viable, and that in turn has opened up the specs for stories.
Last year, as I continued to process the death of my mother, I spotted Timber Ghost Press’s call for submissions. I dug the latest draft of “The Fuzzy Ghost” out of my hard drive, updated it with specific period details, and sent it in. And now it’s come back to me inside a paperback book.
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