A couple of weeks back, I linked to the Boston Comics Roundtable’s “Working Method” experiment, which this month is focused on a script I wrote called “Owl and Pussycat.” Different artists are sharing their character designs, layouts, and even finished pages.
As part of the exercise, I avoided specific details about the characters because I wanted to give the artists the widest latitude. And because the way I pictured those characters wasn’t original at all. When one of the artists, Mike Tomasulo, asked me what I had in mind for the villain Dr. Megalo, I had to admit I was imagining Sivana from the Captain Marvel comics.
But Mike’s question prompted me to push myself a little, and I gave him some more options for Dr. Megalo:
For instance, Dr. Neil deGrasse Tyson in an ugly plaid blazer. An attractive blonde woman whose face has been scarred in a lab accident. A spoiled young prodigy in an oversized lab coat. A Silicon Valley billionaire who hasn't worn a tie since his bar mitzvah.And the next day I had another idea: basing the design of Dr. Megalo on Edward Lear, author of “The Owl and the Pussycat.” At the Thursday B.C.R. meeting I sketched out that idea. Dan Mazur inked it (while fixing some proportions) with a brush. And finally I added type while trying out Manga Studio.