“We went back and figured out what we would do for a beginning”

After “The Big Show!” and “The Cobbler,” the next Our Gang production was Bob McGowan’s “The Champeen!”

As Rob DeMoss explains on the Lucky Corner website, it’s not clear when in September 1922 or so that short was filmed. The two preceding films both had an unusually high number of shooting days, and the studio records don’t assign any days to “The Champeen!” at all. DeMoss posits there was a bookkeeping error.

Watching for the splint that Jackie Condon started wearing after his 8 August fall offers hints to how “The Champeen!” was created. And the recent ClassicFlix restoration of that short (which can be viewed here) provides clear pictures.

During that movie’s climactic boxing scene, Jackie serves as timekeeper for the match. He rings the bell with his left hand. A bit of the splint can be seen poking out of his right sleeve, as shown above.

Likewise, in his first appearance in this short, appearing to drive a car, Jackie has the splint on his right forearm while his left forearm is bare. So that footage was also shot while he was still recovering—but he seems more dexterous.

About a quarter of the way through these two reels, Jackie has a scene with Jack Davis. In some shots he appears still to be wearing the splint, even as he uses his right arm to knock a pastry out of Jack’s hands. But in the shots when Jack pummels the smaller boy, as shown here, Jackie’s forearms are both bare. Apparently his arm had healed by then (and a good thing, too).

Those glimpses suggest that McGowan filmed the fight scene in “The Champeen!” first. In the same way, Harold Lloyd, the biggest star working on the Hal Roach Studios lot in 1923, shot the big climbing sequence in Safety Last, then worked backwards to motivate that action.

“We didn't know what we were going to have for the beginning of it,“ Lloyd said in a 1966 interview; “after we found that we had, in our opinion, a very, very good thrill sequence,…we went back and figured out what we would do for a beginning, and then worked on up to what we already had.”

For “The Champeen!” McGowan appears to have created a funny boxing scene for the climax but needed a motivation for Jack Davis and Mickey Daniels to fight. Rivalry for Mary Kornman offered a reason. The final scenario has her first set those two boys against each other by asking Mickey to chastise Jack for pummeling her little brother—Jackie. But that scene wasn’t shot till after the big finish.

Indeed, on reflection Jackie Condon’s role at the end of “The Champeen!” doesn’t fit with his scenes before. He goes from being part of the beef between the two boxers to being a neutral timekeeper. Though Mary is introduced as his big sister, there’s no connection between them in the final scene. Not that I thought about those discrepancies until now. 

Working Around Jackie Condon’s Broken Arm

The Lucky Corner website shows that the Hal Roach Studio continued to pay Jackie Condon $40 per week throughout the summer and fall of 1922, even after he broke his arm on 8 August during the making of “The Big Show!”

That seems to confirm that Jackie did indeed work on his regular schedule after a doctor put on a splint, as the newspaper article quoted yesterday reported. (Though the studio should have been reluctant to dock the four-year-old’s pay while he recovered from an on-the-job injury.)

We can see the result of Jackie’s fracture in the Our Gang movies made in the late summer and early fall of 1922.

The freeze frame above comes from “The Cobbler,” which Tom McNamara shot in late August and early September 1922. Jackie wears long sleeves, the right one stretched tight over his splint.

Likewise, in “The Big Show!” Jackie usually has his left sleeve rolled up to his elbow but his right loose at his wrist. When he releases a bunch of animals from their cages, he works only with his left hand, the right hanging at his side.

Jackie’s injury may even have shaped the plot of “The Big Show!” as it was cut together. According to Rob DeMoss at the Lucky Corner, filming on that short was spread out: 28 July to 15 August (a week after the injury), “added scenes” 11 to 28 September, and finally reshoots 10–11 January. That break suggests director Bob McGowan and the unit did some retooling.

The newspaper article about Jackie’s fracture and the publicity photo shared yesterday show that “The Big Show!” was always written to feature the gang’s jury-rigged version of a county fair. That photo also shows Mary Kornman with the gang for the first time.

In the final film, Mary’s only scene comes in a middle section devoted to the gang and guests imitating Hollywood stars like William S. Hart and Douglas Fairbanks. She plays Mary Pickford, curly wood shavings added to her natural hair to evoke the Fauntleroy hairstyle.

Jackie doesn’t show up in that sequence at all, not even as Jackie Coogan to Andy Samuel’s Charlie Chaplin. (And ironically, back in 1921 the little tousle-headed boy had been the first face to appear in Pickford’s Little Lord Fauntleroy.)

Furthermore, Jackie doesn’t appear on any of the fair rides with the other kids in the final cut. Instead, the story is driven by the big kids excluding Jackie from their activities because he’s too little. He tries to sneak into their fair, gets chased away by tiny security guard Farina, and finally frees those animals as revenge. Those scenes were shot after his injury.

It therefore looks like Bob McGowan shot parts of “The Big Show!” with Jackie, Mary, and the gang at the fair. Then Jackie fell. As he recovered, he may have needed more rest and couldn’t do complex scenes with the whole gang—but the unit could shoot him with just Farina and the animals.

McGowan and the studio may have rebuilt their story around Jackie being left out, adding a new opening scene outside a real fair (with Joe Cobb, who didn’t join the gang until September). We don’t know whether the original story had a kid-driven plot, but that change might have been for the better.

TOMORROW: A ringside seat.