Showing posts with label AUTHOR Sam Hamm. Show all posts
Showing posts with label AUTHOR Sam Hamm. Show all posts

06 December 2015

Sam Hamm’s Plan for Robin, part 4

When we last left Sam Hamm’s penultimate screenplay for the 1989 Batman film, Batman was badly injured in the crash of his bat-shaped airplane, and Dick Grayson, dressed in his “ominous” red-and-green gymnast’s suit, was chasing the Joker with a .38.
EXT. GOTHAM CATHEDRAL - NIGHT

A BELLTOWER's jagged spire, jutting up into the night sky, piercing the moon. At street level, the JOKER scrambles up the marble steps the entrance of the old abandoned cathedral. He pulls a WALKIE-TALKIE off his belt.

JOKER
Gotham Cathedral. Come and get me.

HEAVY PANELED DOORS groan on tired hinges as THE JOKER forces his way inside. A beat. Then DICK GRAYSON appears, hot on his trail, sprinting up the steps two at a time.

INT. CATHEDRAL - A MOMENT LATER - NIGHT

Ancient and creepy. A huge pipe organ, shattered stained glass windows, row after row of mahogany pews… all forgotten, covered with dust and cobwebs. The JOKER wanders about, staring at the statuary, the rusted icons.

DICK enters silently behind him. He kneels behind a rear pew, brings up the GUN, and squeezes off THREE QUICK SHOTS at the JOKER. The JOKER dives, takes cover, and RETURNS DICK'S FIRE. Then: silence.

In a crouch, groping his way along the wall, THE JOKER finds what he wants: a small door opening on a wooden stairway, leading to belltower. He ducks inside and starts up.

DICK'S GUN drops with a thud. His hand slips from the back of the pew. In the second before he slumps to the floor, unconscious, he sees a curious sight: a TINY BLACK NINJA WHEEL, embedded in the flesh of his leg.

Behind him -- framed in the arched doorway -- A RAGGED BLACK GHOST begins his final unholy march down the center aisle of the old cathedral.
That would be the Batman. And apparently he’s stuck Dick Grayson with a ninja wheel. Perhaps the Joker has also shot Dick, perhaps not. Perhaps the ninja wheel is drugged. That’ll teach the kid the danger of using guns!

The Batman follows the Joker up the tower. They have a fight that involves fainting, the helicopter, a time bomb, a collapsing staircase, and a flock of bats. The Joker dies. Because killing someone with a bomb or by causing him to fall from a helicopter is clearly better than shooting him.

For a moment it appears Bruce Wayne is also dead, having sacrificed himself to kill the Joker (and his helicopter pilot, and co-pilot, and possibly Dick Grayson from lack of blood).

But instead the dead man is just the character eventually played by Robert Wuhl, so no great loss. The denouement scenes include Vicki Vale and Bruce in a pool together, and then:
EXT. BATCAVE - THAT MOMENT - DAY

DICK GRAYSON stands at the brink of the bottomless pit and looks up at the GYMNAST'S RINGS suspended overhead. He sets his jaw and then -- with only a moment's hesitation -- LEAPS INTO THE VOID.

His hands find the rings. He launches himself HIGH INTO THE AIR and does a spectacular TRIPLE SOMERSAULT, catching the rings on his way down.

Exhilarated, he makes a perfect landing on the edge of the pit. A SMILE OF PLEASURE comes to his lips.

CUT TO:

EXT. ROOFTOP - GOTHAM CITY - NIGHT

A dark, moonless night. LIGHTS OF THE CITY sparkle in the distance. CAMERA DRIFTS across the rooftop, settling finally on the broad back of a BLACK-CAPED FIGURE poised at the edge of the roof, gazing down on the streets below.

A SECOND FIGURE enters frame. We get a brief glimpse of his RED-AND-GREEN SUIT in the seconds before our EYES TURN SKYWARD... to the SEARING YELLOW SPOTLIGHT sweeping through the clouds. In its center: the VAST BLACK SILHOUETTE of a BAT, wings extended, DOMINATING the sky.

We HOLD on the GLARING BAT-SIGNAL as BATMAN and ROBIN vanish over the edge of the roof, plunging down toward new adventures as we...

FADE OUT.
But none of those scenes made it into the 1989 movie. As Hamm explained to Comics Alliance, after many requests to include Robin in the screenplay, the producers decided his scenes were too expensive and took them all out.

Batman was a huge hit nonetheless. And the immediate plans for a sequel gave Hamm another chance to introduce Robin, the Boy Wonder.

22 November 2015

Sam Hamm’s Plan for Robin, part 3

Way back here, I was sharing excerpts of Sam Hamm’s early screenplay for the 1989 Batman movie, a version that featured Robin. Here’s more.

At this point, Dick Grayson’s parents have been killed during their trapeze act—not by Boss Zucco ’s enforcers but by the Joker. Dick wants to go after that villain. Bruce wants him to stay safe in stately Wayne Manor. They fight. In losing the fight, Dick figures out that Bruce is Batman.
INT. BATCAVE - EVENING

TIGHT ON a tiny electronic device: two cylindrical steel casings bracketed together, topped by a DIGITAL TIMER.

BRUCE watches the TIMER tick off seconds: 30. 29. 28. At 25 seconds, BRUCE kills the countdown and CLAPS THE DEVICE into an empty packet on his utility belt.

He stands up wearily. Behind him, hanging back discreetly in the shadows, is his loyal butler ALFRED.

BRUCE
Where's the boy?

ALFRED
Upstairs. He's quite docile.

BRUCE
I know the feeling. It won't last.
(sighing)
He's a long way ahead of where I was at his age.

ALFRED
Respectfully, sir... there'll never be another one like you.

BRUCE smiles sadly. He takes a moment to survey the Batcave as ALFRED looks on tremulously.

BRUCE
How long's it been, Alfred? A quarter of a century?
(beat)
It seems like yesterday. I guess we ended up doing more harm than good.

ALFRED
Don't ever say that, sir. Don't ever believe it.

BRUCE
If not for you I never would've made it. You know that. My own parents couldn't have...
(taking Alfred's shoulders)
... The boy, Alfred. You'll both be provided for. Don't let all this go to waste.

Their eyes lock for a long moment. ALFRED is unable to speak. Finally BRUCE turns and starts slowly up the long circular stairway which leads from the Batcave to Wayne Manor.
After some foofaraw, Batman goes out to confront the Joker, armed with nothing but an advanced fighter plane equipped with missiles.
EXT. STREET - ON JOKER

He LAUGHS INSANELY as the BATWING bears down. At the last instant he hoists a SUBMACHINE GUN. BULLETS pepper the dome of the cockpit.

BATMAN'S MISSILE goes wide right, EXPLODING on the sidewalk. The JOKER drops to the street, unharmed, as the BATWING swoops past. The rear stabilizer wing is trailing THICK BLACK SMOKE.

INT. BATWING - MOVING - THAT MOMENT

BATMAN knows he's in trouble. He buckles a parachute around his chest, finds a button on the control panel. THE COCKPIT DOME flies free of the BATWING, leaving BATMAN exposed to the buffeting wind.

EXT. STREET - ON JOKER

He's scored a hit. He HOWLS IN TRIUMPH. But his maniacal glee is short-lived.

Standing not twenty feet away, in the clearing smoke from the rocket explosion, is an ominous figure in a RED-AND-GREEN GYMNAST'S SUIT.
This is obviously some new usage of the word “ominous.”
DICK GRAYSON -- eager for the kill -- sets out in pursuit of the JOKER.

INT. BATWING - MOVING - THAT MOMENT

BATMAN is losing altitude. HIS CAPE billows wildly around him as he reaches for a SECOND BUTTON -- this one labelled 'EJECT.'

He punches the button. His SEAT disengages. But Batman finds himself suddenly JERKED BACK INTO THE COCKPIT.

HIS CAPE HAS SNAGGED ON THE EJECTION MECHANISM!!! He clutches frantically at this throat as the plane plummets to earth!

EXT. STREET - THAT MOMENT - NIGHT

THE JOKER, on the lam, darts around a parade float. DICK vaults onto the float, LAUNCHES HIMSELF into the air, and DROPS the JOKER with a flying tackle.

But before he can strike... A RESOUNDING CRASH shakes the street.

ANGLE ON BATWING

The plane lies in pieces on the pavement. FLAMES ERUPT. BATMAN's been thrown free, but he's PINNED BY THE WRECKAGE. It's a matter of seconds until the gasoline tank goes up.

EXT. STREET - ON DICK AND JOKER

DICK watches in shock. On one side, the killer of his parents. On the other, BATMAN -- who will surely die unless someone pulls him free.

There's only one choice, and they both know it. DICK glares at the JOKER for the merest of seconds, then TURNS HIM LOOSE. MAD LAUGHTER echoes in the streets as the JOKER escapes -- and DICK races off to BATMAN's aid.

EXT. STREET - A MOMENT LATER - NIGHT

BATMAN grimaces in agony as DICK struggles to free him. His right leg -- shattered -- is like rubber beneath him. His ribs are crushed. He's barely alive.

BATMAN
How did you...

DICK
I hitched. MOVE IT!

DICK drags BATMAN to safety as the remnants of the Batwing BLOWS UP.

BATMAN
The Joker. Is he -- ?

DICK spots an abandoned .38 on the pavement -- left there by one of the JOKER'S GOONS.

DICK
Forget it. Relax.
(reaching for the gun)
... He's mine now.

BATMAN
DICK!

THE BATMAN tries to pull himself erect. The pain is unendurable. His body has finally failed him.

He collapses on the pavement, powerless to intervene, as DICK races off with murder in his eyes.
Okay, now it’s a teenager in a red-and-green gymnast’s suit with a gun. Because that’s what the Batman mythos is all about.

But it’s interesting that Hamm was decades ahead of The Incredibles in warning about the danger of capes and aircraft.

05 October 2014

Sam Hamm’s Plans for Robin, part 2

Back at the end of August, I started quoting from a late draft of Sam Hamm’s screenplay for the 1989 Batman film. Originally the movie was to include Robin, but that plot thread was cut.

As the previous extract showed, the screenplay introduces the Flying Graysons, then quickly has the Joker killl off the parents in spectacular fashion. Dick Grayson goes after the villain in acrobatic fashion, but Batman saves him from being killed as well. The story picks up the next morning:
INT. WAYNE MANOR - GUEST BEDROOM - DAY

DICK GRAYSON is sprawled on a huge four-poster bed, unconscious, softly moaning. He COMES TO with a jolt.

Breaking into a sweat almost instantly, he looks at his unfamiliar surroundings. A shadowy figure stands nearby.

DICK
... Where am I?

BRUCE
My name is Bruce Wayne. You're welcome to stay here as long as you want.

BRUCE steps out just as ALFRED enters with a breakfast tray. DICK makes a puzzled face. What the hell is going on here?

INT. HALL OF JUSTICE - DAY

Beneath the statue of blind Justice, BRUCE and HARVEY DENT march through the portico, engaged in a heated argument.

DENT
We'll send a team into Ace the moment the warrant comes through.

BRUCE
He'll be ready when you do. Remember what happened at the apartment.

DENT
All right, Bruce, what do you suggest?

BRUCE
I suggest a nice big bomb.

DENT
Good. A bomb. On a blind tip from Bruce Wayne. -- We do have laws.

BRUCE
Then for God's sake, Harvey, cancel the anniversary celebration.

DENT
We've told him we'll deal. What could he possibly have to gain by --

BRUCE
Do you still think the Joker cares about money??

DENT
I don't know. I'm just a D.A. I don't have access to all your expert sources.

Mexican standoff. BRUCE stalks off fuming. DENT hangs back a moment, then turns down the hall.

EXT. WAYNE MANOR - ESTABLISHING - DAY

The ornate, wrought-iron GATE which opens on the long driveway snaking up toward Wayne Manor. It's bolted shut.

INT. WAYNE MANOR - DAY

A glass-enclosed room which houses an enormous HEATED INDOOR SWIMMING POOL. DICK GRAYSON does a couple of laps, then climbs out and towels himself off.

He looks out at the estate: tennis courts, a riding stable in the distance. He's not happy. All this opulence could drive a guy stark staring nuts in short order.

INT. GUEST BEDROOM - DAY

An OPEN SUITCASE on the bed. DICK fingers a gold ashtray bearing the figure of Winged Victory -- then shrugs and tosses it into the suitcase on top of his gymnast's costume. When he looks up he sees BRUCE in the doorway behind him.

DICK
... Your butler wouldn't gimme a ride so I figured I'd hoof it.

BRUCE
Sorry. I can't let you leave.

DICK
You can't keep me here, man. That's kidnapping.

BRUCE
If I let you leave, you'll do the same thing again. You'll go after the Joker... and you'll wind up dead.
(turning to go)

DICK
Hey, man. Look at you. You're rich. You got everything you want. How do you know what's in my mind?

BRUCE turns to face him. The little hellion's eyes are filled with raw, burning hatred. BRUCE knows the feeling.

BRUCE
I don't care what's in your mind. You're staying.

BRUCE reaches for a key in his pocket. Without warning, the kid RUSHES him, throwing a rock-solid punch. With blinding speed, BRUCE sidesteps him, parries the blow, and winds up spinning DICK around -- INTO A WALL.

DICK is stunned, but he has to laugh. This rich boy has a move or two. BRUCE stands there, silently challenging him.

A second later, the kid is airborne -- upping the ante with a scissor-kick aimed squarely at BRUCE's gut. In a blur of motion BRUCE checks the kick, swings an arm into DICK's chest, and sends the boy sprawling flat on his back.

INT. WAYNE MANOR - KITCHEN - THAT MOMENT

ALFRED, in his apron, fixing a tray of snacks. He looks up curiously at the ceiling. From the sound of it, a battle royal is shaping up in the guest bedroom.

INT. GUEST BEDROOM - THAT MOMENT

DICK'S BODY -- head down, feet up -- flies through the air. He SMASHES INTO a closet door and slumps to the carpet. Shaken now, and sweating profusely, he looks up at BRUCE... who stands calmly over him, adjusting his necktie.

A long, tense moment passes between them. Then:

DICK
... You're him.

No reply from BRUCE. Their gazes lock. And suddenly...

ALFRED (V.O.)
FREEZE!

DICK and BRUCE look around. The puny, mustachioed butler stands in the doorway, feet spread in a Dirty Harry stance, a .44 MAGNUM trained on DICK.

BRUCE
It's all right, Alfred. Everything's under control.

ALFRED
... Very good, sir.

ALFRED relaxes, musters his dignity, and turns to go.
Yes, there’s more.

31 August 2014

Sam Hamm’s Plans for Robin in 1989

In Comics Alliance’s interview with Sam Hamm, first screenwriter of the 1989 Batman, he said:
The studio insisted on having Robin in the picture, and Tim and I couldn’t figure out how or where to squeeze him in. We spent a whole weekend pacing around in a sweat, but we couldn’t get anywhere, and we finally decided that we would have to call the WB brass and tell them there would be no Robin.

Then, moments away from picking up the phone, we started spitballing again, and miraculously, we came up with a really cool Robin sequence. So a couple of years later, when production is underway, and the picture is running over budget, what does the studio decide to cut? You guessed it – Robin! And in the end, nobody missed him.
Well, I did.

Here’s one version of the scene Hamm came up with, from an early version of the screenplay. This comes toward the end of the movie, after Batman and the Joker have already been tussling. The Flying Graysons are performing their trapeze act…suspended from helicopters. And Batman, for some reason, is on horseback.
ANGLE ON FLYING GRAYSONS

GRAYSON has just completed a double somersault in midair, landing in the capable hands of his wife. Now they're swinging again, building momentum as he prepares to make the return leap back to his own trapeze.

INT. HELICOPTER - THAT MOMENT

In the bay of the helicopter stands a kid, fifteen, compact, tough, and wiry: DICK GRAYSON. Like his parents, he's wearing a red-and-green suit. From the copter, he's got a perfect bird's-eye view of the BATMAN-JOKER chase.

PILOT
Ready to go, Dick?

DICK
What's all the ruckus down there?

EXT. PARK - GROUND LEVEL - THAT MOMENT

The VAN bounces over rocks and bushes, narrowly avoiding trees, with BATMAN in hot pursuit.

INT. VAN - THAT MOMENT

At the foot of a hill, the JOKER spies a truck. On its side, in bright red letters, a WARNING: "DANGER - FIREWORKS. FLAMMABLE LOAD."

The JOKER reaches into the back for a HIGHWAY FLARE.

JOKER
Head for the truck!

INT. HELICOPTER - THAT MOMENT

Hovering over the chase scene, DICK catches sight of the JOKER. He GASPS IN SHOCK as a LIT FLARE flies from the back of the VAN... directly into the FIREWORKS TRUCK.

EXT. PARK - GROUND LEVEL - A MOMENT LATER

THE BATMAN is thrown off his horse by the shock of a massive EXPLOSION. All at once, THE SKY IS FULL of BURSTING, INCANDESCENT COLORS!!

THE JOKER hangs out of the rear of the van, looking up, an expression of PURE DELIGHT on his face.

JOKER
I love fireworks!

ANGLE ON HELICOPTERS

LURCHING AND SPINNING IN THE SKY as FIREWORKS rocket past. One of them takes a dead hit on the rotor. JOHN GRAYSON falls to his death instantly; a moment later, the COPTER plummets into the trees with a resounding, fiery CRASH.

MARY GRAYSON hangs from the second copter as it bobs and weaves out of control. ONLOOKERS SCREAM IN TERROR.

EXT. STREET - THAT MOMENT

THE JOKER'S VAN bursts out of the park and speeds up a wide, cordoned-off avenue. Overhead, THE SECOND COPTER veers wildly, out of the park now, swinging dangerously close to the tall buildings along the avenue.

INT. HELICOPTER - THAT MOMENT

DICK GRAYSON at the mouth of the bay, hanging on by a canvas strap. He watches helplessly as his MOTHER swings into a POWER LINE and drops three stories to the pavement.

DICK
NO! NOOOOOOOO!!!!

His face is contorted with rage and pain. The PILOT struggles desperately to right the copter, barely avoiding a collision with the nearest building. And then -- before THE PILOT can make a move to stop him -- DICK HAS JUMPED OUT OF THE COPTER.

ANGLE ON DICK

With astonishing physical grace, he DIVES. GRABS A FLAGPOLE. Executes a perfect somersault. FLIPS onto a nearby fire escape. VAULTS to the next fire escape down. And LEAPS OUT OVER THE STREET --

-- MAKING A PERFECT TWO-POINT LANDING on his intended target... THE ROOF OF THE JOKER'S VAN!!

INT. VAN - THAT MOMENT

THE JOKER hears a THUNK overhead. He casually lifts his gun and BLOWS A HOLE THROUGH THE ROOF OF THE VAN.

EXT. ROOF OF VAN - MOVING - THAT MOMENT

The blast just misses DICK. He sprawls flat, YANKS at the chrome luggage rack on the roof of the van, and BREAKS OFF A FOUR-FOOT SHAFT OF METAL.

ANOTHER SHOT through the roof. DICK rolls forward, hoists his chrome spear over the windshield.

INT. VAN - THAT MOMENT

SPLINTERED GLASS flies everywhere as DICK RAMS THE SHAFT THROUGH THE WINDSHIELD. THE DRIVER dodges left and LOSES CONTROL OF THE WHEEL.

EXT. ROOF OF VAN - MOVING - THAT MOMENT

The VAN careens wildly toward an OVERPASS. DICK rises up into a crouch just in time to see a sign which reads "DANGER -- LOW CLEARANCE." He's about to get his head taken off!

ONE SECOND BEFORE IMPACT a BLACK-CAPED SHADOW swings across the street and SCOOPS DICK OFF THE ROOF OF THE VAN.

EXT. STREET - NIGHT

BATMAN AND DICK tumble to the pavement. THE VAN knocks over a fire hydrant and STOPS. DICK is already on his feet, ready to CHARGE THE VAN, when BATMAN throws a powerful arm around his waist.

DICK
LET ME GO! LET ME --

THE JOKER steps casually out of the van. TWO GOONS with MACHINE GUNS emerge behind him. PEDESTRIANS SCREAM as the GOONS level their guns at the CROWD.

DICK (cont.)
YOU PIECE OF -- YOU MOTHERF--

DICK is kicking, screaming, clawing, biting. BATMAN has his hands full restraining the kid.

JOKER
Like your boyfriend. He's kinda hot.
(glowering at BATMAN)
Hands off the belt.

BATMAN
Take me. Let the boy go.

JOKER
Gosh, I could kill you, but then you'd miss my party. And I'd be real, real sad if you couldn't make it.

BATMAN
What are you talking about?

JOKER
Batman! Don't you even recognize your old pal Jack? After all...
(cackling insanely)
You made me what I am today.

BATMAN cocks his head in puzzlement as DISTANT SIRENS BLARE. The JOKER and his HOODS -- guns still aimed at the crowd -- back away and race off on foot, vanishing into the night.

DICK BREAKS FREE and BOLTS AFTER THEM. BATMAN throws him to the street with a flying tackle. The boy is hysterical.

DICK
HE KILLED MY PARENTS! HE KILLED MY --

BATMAN flinches at the sound of the words. He reaches into his belt and -- mercifully -- breaks a KNOCKOUT CAPSULE under DICK's nose.
Yes, it goes on.