
Last year the weekly Robin reviewed the history of Jason, by my reckoning the second and third Robins in the Batman mythos, until his death at the hands of the Joker. The Batman comics then had to shift away briefly as DC’s editors and writers worked out the ramifications of fate their readers had chosen for Jason. In early 1989, the team dove into stories about reactions to Jason’s death.
The panel above, from Batman, #436, shows Dick Grayson’s first return to the Batcave after learning of that event. For decades that cave was graphically defined by the Dynamic Duo’s trophies, particularly a robot dinosaur (species variable, but eventually a T. rex), giant penny, and giant joker playing card. As technology burgeoned, the team installed a giant computer as well. There were also many smaller trophies in glass cases, wall-mounted batarangs, and other memorabilia. But, as Dick noticed, Bruce Wayne refused to memorialize any of his work with Jason.

Like so many other parts of the modern Batman mythos, the glass case with the costume actually appeared first in Frank Miller’s The Dark Knight Returns. That story, set in one potential future, also suggested Jason’s death, and introduced the phrase that sometimes appears on the case’s label: “A Good Soldier.”
As I’ve written before, when Jason died, he finally acquired the symbolic definition that the living character had lacked. Indeed, we might say that Jason became that costume in the trophy case, haunting the Batcave. He and it were together a symbol of youth cut short, of Batman’s greatest failure, of the dangers of masked vigilantism.

Eventually that glass case with the costume floating inside supplanted the Batcave’s older landmarks as a visual shorthand for that setting. Its design varied from one artist to another, but it was always immediately recognizable. (Perhaps Bruce had it rebuilt in different styles every time it got smashed.)


In the comics Jason Todd has returned from the grave (a story for another week), but his costume is still on display, and the trophy case is still sacred ground. In Batman and Son Damian Wayne goes down to the Batcave, breaks into the case, and puts on parts of Jason’s costume; that seems like such defilement that it’s hard to recognize how Damian is seeking acceptance into the Batman family.
That parti-colored costume behind glass thus now carries a symbolic weight separate from the actual loss of a young man. Indeed, in recent years Batman comics have shown future or imagined Batcaves with multiple trophy cases holding multiple Robin costumes, some not previously seen in that DC Universe. The sight of a Robin costume behind glass now has a visual resonance and significance of its own.
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