
Writer Arnold Drake introduced Beast Boy in the Doom Patrol comics of the late 1960s: a green teen (probably inspired by Dean Stockwell’s role in The Boy with Green Hair) who could take the shape of any animal. Beast Boy was a kid sidekick, but not a junior version of any member of the Doom Patrol. At first he wasn’t even a member of the team, but eventually one of those heroes adopted him.



The origins, personalities, and powers of DC’s main characters—Superman, Batman and Robin, Green Lantern, etc.—don’t change greatly from one continuity to another, but relationships among them can vary and the histories of secondary characters can change greatly. (The company also treats Wonder Woman as a main character, but her underpinnings do change as creators struggle to figure out what she best represents.)
As a secondary character, Gar Logan is therefore often in flux. New Teen Titans and its offshoots established him as a lovelorn wise guy, a bit younger than his teammates, who submerges his losses and neediness behind jokes.

In an episode broadcast last month, Young Justice showed us Garfield Logan as an eight-year-old living in Africa with no special powers. He gets a blood transfusion from the hero Miss Martian, a green-skinned shapeshifter. Frankly, that sets up a better explanation of why little Gar might grow up to be a green-skinned shapeshifter than the mysterious disease-and-cure interaction established in Doom Patrol decades ago. But for now that continuity still doesn’t have a Beast Boy.

Creators Art Baltazar and Franco re-established his crush on Terra as a more demonstrative one-sided relationship than Robin’s crushes—which is to say that Terra throws rocks at him. Otherwise, however, that comics’ Beast Boy seems more worldly than Robin. And in the magazine’s final issue, he actually comes up a winner.

The Tiny Titans versions of all six of the other New Teen Titans regulars look on happily from the center of this panel.
Finally, where’s Beast Boy in DC Comics’ new main continuity? He’s been changed to a red shapeshifter, more consistent with another animal-based hero. His debut in May will reveal more about that character’s name and history. Rather than part of the revamped Teen Titans, this Beast Boy’s in a related group.
In sum, Beast Boy is going in all directions, as dictated by the storytelling needs of whatever ensemble he’s assigned to.
Nice piece, although I would disagree with your conclusion that Gar is quintessentially a supporting character. That would be like saying that Garth or Roy are only supporting or secondary characters. I think it is a case, rather, that DC simply hasn't done Gar Logan justice. Considering he's one of the long suffering Titans in the Didio era, this isn't surprising.
ReplyDeleteI did a blog post on how Gar Logan and Dick Grayson are curiously parallel characters in a piece I did on Terra on my blog:
http://historiesofthingstocome.blogspot.ca/2010/05/dcu-continuity-for-terra-part-31-remade.html
Calling Gar Logan a “secondary character” was based on his standing in sales, not on whether his character has potential to be a protagonist of his own stories.
ReplyDeleteBut I strongly believe Gar Logan works best in an ensemble, as in the Doom Patrol and the various Titans groupings. His humor works best when there are other characters for him to bounce off of. Lead characters tend to be end up being straight men; even in his own miniseries, Gar’s slacker cousin and Bette provided the laughs that he would usually provide for a group.
More important, the vast contrast between Gar’s outward persona and his inner neediness makes him fascinating to watch but ultimately sad to relate to. The superhero genre seems to depend on identification and uplift.
I don’t like to imagine the DC Universe or the Titans without the Gar Logan that Wolfman and Pérez developed. I wasn’t enjoying the direction other writers were taking him in recent years, with his more “animalistic” side coming out; it would be a loss if the new version of the character continues that trend.
I think you’re right that there are interesting parallels and contrasts between Dick Grayson, one a star who left the spotlight for a secret life and the other an outcast who craves public acclaim. Of course, with Dick Grayson as the original kid sidekick in superhero comics, in some ways every subsequent kid sidekick reflects off him. (Especially Roy Harper, who’s essentially the anti-Robin.)